Then the translation becomes ‘the miracle that isn’t selfish’ or ‘the miracle that is made possible because we weren’t selfish’ Reference: RM’s talk during Wings Tour the Final: “Even we could not believe that we’d be able to do this, that we’d succeed.”Īnother way to interpret this line is to read 이 기적 as 이기적, which means selfish. Reference: RM’s tweet ( English translation) I won’t say obvious things like ‘cheer up,’ I know that you’re hesitating because, even if you speak your true heart, The first teaser of FAKE LOVE explains “Magic Shop” as a psychodramatic technique that exchanges fear for a positive attitude. It is known that the theme of “Magic Shop” is inspired by a book, “ Into the Magic Shop” by James R. Note: This is a song dedicated to the fans of BTS, ARMY (the second official fan song after Two! Three!). The audio record represents the final version of CNN Audio.Written by Jungkook, Hiss noise, RM, DJ Swivel, Candace Nicole Sosa, ADORA, j-hope, SUGA They are not fully edited for grammar or spelling and may be revised in the future. CNN Audio’s transcripts are made available as soon as possible. The executive producer is Steve Lickteig. Mixing and Sound Design by David Schulman. Our producers are Carla Javier, Lori Galaretta and Dan Bloom. This episode was produced by Jennifer Lai and Madeleine Thompson. Now, the assignment is a production of CNN Audio. Email that to us at the assignment at CNN.com, all lowercase. And if you have an assignment for us, give us a call and leave a voicemail. If you liked it, recommend it to your friends. That's it for this episode of The Assignment. That was Kaydence, a songwriter based in Los Angeles and rapper Armani White. I mean, like, I feel like my nephew, who's one years old, he knows that part. And then right after that, it's like this idea is duh duh duh duh free. But I got everything I wanted as I'm extra, nah nah nah nah nah nah. So even like, you know, and "Billie Eilish." is like, it goes for a while and it's like or actually it's this kind of the same cadence the whole time. You know, let me find different little moments that can almost be like a hook. And I was like, you know, so as I started to perform more, I said, well, let me find different hooks to put inside of the verse. I would do my songs where the hook was really exciting, but the verse was just like a moment in space where we're waiting for the hook to come back. And that's like if you look at a lot of the records that happen on TikTok, this was before even TikTok. Tatiana Cirisano is a senior music industry analyst and consultant at MIDiA, where she specializes in emerging consumer trends and the intersection of music and technology.īut yeah, I mean, and then another trinket I think is like and this wasn't even for social media, but just really like for performing. Since then, he has signed with Def Jam Records and released his second EP, Road to CASABLANCO. Kaydence is a two-time Grammy-Award winning songwriter and artist who has written songs for Ariana Grande, Brandy, Beyoncé, Jennifer Lopez and ZAYN, among others.Īrmani White is a rapper known for his N.O.R.E.-sampling viral hit, “Billie Eilish.” which first made waves on TikTok in 2022. Plus, how is TikTok changing the way we listen to music? Music industry expert and consultant Tatiana Cirisano weighs in. But what happens to the creative process when "going viral” takes center stage? This week, Audie talks with songwriter Kaydence and Hip-hop artist Armani White about the TikTok-ification of music, hooking listeners, and what works - and doesn’t - in the never-ending quest to make a good song. Users on the platform are dictating hits before they reach the charts and revolutionizing the way artists are discovered. TikTok has turned the traditional music industry on its head.
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